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  Are you wearing sweats now? If not, are you thinking about the ones you’ll slip into as soon as you can? Either way, you probably don’t need to be told that this was the year of sweats. With the coronavirus pandemic limiting many people to their homes, and certainly cutting off the need for going-out clothes, it’s no surprise that people have been reaching for a soft elastic waistband in a hard world. Holmes made a convincing case for the hat by choosing a smarter, more grown-up version. Hers was in black, and the shape was decidedly more structured, too. Her outfit also gave it a current feel. Holmes styled it with a black blazer and turtleneck, classic blue jeans, and sleek Aera vegan leather boots. On the whole, the fit was simple and classic, but the hat gave it a more fashiony feel. It goes to show that, when done right, a good hat can instantly make an outfit. Who doesn’t love a lazy style hack? https://qingdaoyiriyou.com/ghost-tee-life-insurance-ask-me-about-it-t-shirt-2.h...

  Chadwick Boseman is now the front-runner for best actor. In the history of the Academy Awards, only two men have won posthumous acting awards: Peter Finch for Network and Heath Ledger for The Dark Knight. Boseman seems likely to join them for his critically acclaimed performance in Ma Rainey’s Black Bottom, his last onscreen appearance. In an otherwise glitch-filled and often cringe-inducing awards show, Taylor Simone Ledward’s moving acceptance speech for her late husband was the emotional highlight on Sunday night, one that will almost certainly be repeated on April 25. But Chloé Zhao takes the lead in the best-director race. With her win for Nomadland, Zhao was only the second woman to take the best-director award in the history of the Golden Globes. (Barbra Streisand was the first, four decades ago, for Yentl.) Along with her wins from from a half-dozen prominent critics’ groups, Zhao now seems like the clear front-runner in this year’s Oscar race, which would make her only t...

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  As a Black woman, twigs is at higher-than-average risk for physical and sexual violence and psychological abuse; instead of focusing on why she and other abuse survivors didn’t fit a particular timeline, why not focus on the specific ways in which the existing system consistently fails women of color? We’re rarely best served by applying a one-size-fits-all lens to narratives of abuse, and while it might be challenging to fully and individually grapple with a case like twigs’s, it’s no less than what she—and every survivor of abuse—deserves. As cultural artifacts like the recent New York Times Britney Spears documentary force us to reckon with the ways in which we’ve objectified and devalued female celebrities, can we extend that collective reckoning to abuse survivors who happen to be in the public eye? As survivors testify, to make the choice to leave an abusive relationship requires courage. The process of actually leaving constitutes the most dangerous time for survivors of d...

  Maybe I’m more sensitive to vaccine judgment than I would be if I hadn’t recently received my first Pfizer dose, but seeing people whisper about how so-and-so qualified for the shot is a sad reminder that many Americans’ moralistic views of health care come from a place of scarcity. If we were truly able to trust that our government had our best interests at heart when it came to the COVID-19 response, would we be so quick to evaluate and scorn one another? If we lived in a country where health care was guaranteed to all, would we still worry about resources being unfairly hoarded? If there’s anything the last year of loss and grief should have instilled in us, it’s a sense of increased empathy. (After all, what is mutual aid if not an acknowledgment that the people around us need more care than they’re currently getting?) As more and more people become vaccine-eligible in the coming months, I genuinely hope we can all hit “pause” on our knee-jerk judgments and actually do the wo...

  Holiday died at 44 more than six decades ago, yet the racism that permeated her repeated brushes with the U.S. government still persists in the experiences of many Black drug users (who, even in 2021, are incarcerated at dramatically higher rates than their white counterparts for drug-related offenses). The portion of Holiday’s story that is told onscreen can’t encompass the totality of her life, but it can increase our empathy with people experiencing drug addiction whose narratives don’t look like the ones we’ve been taught to valorize. Bridgerton’s first season may have only made its Netflix debut back in December, but it’s already become the streaming giant’s most-watched original series ever, reaching 82 million households around the world during its first 28 days online. It’s not hard to see why: With its combination of salacious, gossipy story lines courtesy of TV mastermind Shonda Rhimes and its sumptuous, high-budget period trappings—not to mention its long-overdue use o...

  Founded in Copenhagen in 1999 by former model Mette Skjaerbaek, Karmameju has long been committed to organic skin care. The line has many heavy hitters (a multipurpose calming balm; a redness-reducing face mist; a three-in-one micellar water that cleanses, tones, and hydrates), but the real star is undoubtedly its collection of dry brushes, which is already a favorite exfoliating tool for the CAP crowd. Crafted in Germany from sustainably sourced beechwood and natural bristles, the brushes look just as good as they feel. Helmed by four Copenhagen locals (including former Ganni PR exec, Helene Skytte), Woods is the latest Danish beauty brand turning up on the vanities of Scandinavian It girls (and boys!)—and with good reason: the unisex line relies on organic ingredients found in fjords and forests for its vegan fan-favorites, such as a daily lightweight cream and intensive moisturizing mask. Consider the new hand-care trio (a wash, lotion, and scrub infused with volcanic grains) ...

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  In some ways it’s been a year of lost time. Soon my niece will turn 1 and I still haven’t met her. My teenage son has spent his junior year hiding from his parents in his bedroom. It’s been a year that in some ways barely happened, a year of absence and silence.  And yet in other ways it has been a year that happened loudly and painfully in the most profoundly disturbing way. Last year, on the final day of February, I returned home from covering the Conservative Political Action Conference in Washington, D.C., and pretty much never left. For months my only contact with the outside world was circumscribed by the view from the window of my apartment. The early months of the pandemic felt terrifying and apocalyptic. Some of my friends had their husbands put on ventilators, and one friend had her husband die. It reminded me of the early days of AIDS, with people getting sick and none of us knowing why or how. I had never in my worst anxieties imagined a world where we’d just hav...